Here

After a lifetime of wanting a seat at this table, the published author table, I'm now sitting here, humbled and proud, surrounded by insanely talented authors and wondering how I got here. Only I know how I got here. I never gave up the dream. I wrote whenever I could. I forgave myself when I allowed life to get in the way of my writing. And then I used those hard, derailing life moments in my writing when I got back to it. I worked hard, I sacrificed, I shunned distraction (well, mostly). And I tried to keep the stack of hopeful moments and blind faith piled up higher than the heap of self-doubt. But even though I'm here now, finally, and I can go down to the bookstore and see The Art of Adapting on a shelf there, like a real, actual novel (!), sometimes I still wonder if this is all real.

A very bright, intuitive friend looked at me recently and said, "It's like you're worried this might not happen, even though it's already happening." And that sums it up pretty well. Because when you've spent your whole life butting up against self-doubt and the skepticism of others, when you've heard endless unsolicited advice on the "real" jobs you should have, when you've watched other artist friends rise into their well-deserved stratospheres and longed to find your own arc upward, it's hard to let go of all of that. The self-doubt isn't just humility. It's a shield. It's a way of keeping everyone else's opinions outside yourself where they can't hurt you. You can't tell me I can't do it. Because I've already told myself that a thousand times.

But here's the secret. Although I'm a very quiet, calm, grounded, polite person who never makes public scenes or throws things in private tantrums, at my core I'm the most stubborn person I know. (Well, I was, until I had my daughter, but that competition is ongoing and I might still win.)

And that's what it really comes down to. Dreams are fantastic. Hopes are great. Plans are necessary. Surrounding yourself with the kind of people you want to emulate is brilliant. But it won't get you far if you aren't determined to see it through.

You'll encounter a lot of people who don't understand why you want to do whatever it is you want to do. They'll advise you against it. They'll cite examples of all the failures that have ever occurred. They'll open their hands and show you their own fears and try to convince you to carry them as yours. Don't. Instead, use it. When someone tells you you're wasting your time or energy, tuck that away and use it as fuel. I work just a little harder when I'm trying to prove someone else wrong. Maybe that's just me.

But that's not the point. The point is those people with the armloads of fears of your failure, who want you to pick something less risky, less interesting, less passionate? Who seem to want to hold you back and hold you down? They don't want to live in fear any more than you do. They have had a lifetime of doubts piled on them, too. They can't see their way clear of them. They're not asking you to get down in the dirt with them, even if it sounds that way. They're really asking you to lead the way out.

Maybe that's just what I want to believe. But it works for me. Because the alternative is succeeding to spite someone, which taints the success. Or succeeding alone, which is hard. But succeeding and also lighting the way for someone else, that would double the prize.

It's an honor, to have a seat at the big kids' author table, to look around at authors I've long admired. They have been nothing but welcoming. And equally awesome is looking around at the empty seats  at the table, ready and waiting for the next one to dream, persist, work and sacrifice and shun distraction (mostly) until they're ready to join the crowd.

So where is "here" for me? It's an in-between place. I thought once I had a book deal from a major publisher I'd feel some sense of solid ground under me. I'd feel like I'd done something. Seen it through to the end. And now I see that the path goes on forever, for as long as I can stay on my feet and keep moving forward, and there's so much more to write, and new fears to shove aside, and friends to meet, and newcomers to gather along the way. And it's okay to not feel a sense of finally having arrived. To keep asking if it's really okay if I sit at the table. To feel like I still need to keep dreaming, working, sacrificing, as much as ever. Because that is what success actually feels like. It's not the end of a dream. It's the choice, every day, to keep actively living it.

The Publication Waiting Game

I have five months to go. The publication date for The Art of Adapting is July 29, 2014. Which means that this is the lull before the lifelong dream comes true. I'm not an impatient person by nature, and I'm not in a rush to skip all of this lovely anticipation to get to my release date. Mostly.

I'm enjoying waking each morning and realizing all over again that this is no dream, it's really happening. I'm living in the moment, awash in gratitude and pride and possibility. And yet, it's a strange place to be, waiting for months on end to see how my novel will be received. The ARCs (advanced reader copies) of The Art of Adapting have been printed and are ready to be sent out to authors for blurbs and for reviewers to get a crack at. That alone is enough to cause some jitters. Will they like my characters? Will they feel the heart of the story? Will they find the family dynamics believable? Will they be able to tell I've never set foot on the college campus that I used in several scenes?

It's a good kind of limbo, I keep telling myself. I spend my quiet days working on my next book, caring for my daughters, visiting with friends and family, walking the dog, doing yoga. I have a balance going now that may shift come July, when book promotion kicks into high gear. I don't want to take a moment of this quiet phase for granted. But some days I think the waiting is just as distracting as the flurry of publication will be. That's when it's good to be a mom to young kids. Because as excited as they are that I have a book coming out, they live in the immediate present like no one else. When they are tired or hungry or desperate to show me the dance they've just choreographed, nothing else matters.

We were walking into school the other day, talking about the various jobs that people do, and my youngest daughter said, "Only you don't have a job." I felt my former stay-at-home mom hackles rising, in which I sometimes had to remind people that taking care of two little ones 24/7 is an exhausting non-paying job, and that I also did editing work on the side. Then she said: "You have a career." I asked her what the difference is, and she said that a job is work you do for money. A career is doing something you love for life. So, there's that. I would've loved to to teach my daughter that valuable lesson, had I thought of it. I'm glad she learned it on her own.

I get to experience this launch into authordom twice: once by myself, and again through the eyes of my kids. They get that this has been a lifelong dream. That I started writing stories when I was the same age they are now. That there were a lot of starts and stops along the way. And that the most important thing is that I never gave up. But they also get that having a book come out doesn't change my role as their mom one bit.

Sometimes I'm teaching them, and sometimes they're teaching me. I've shown them that no dreams are too big, that nothing is impossible, that the only obstacle between you and your dream is you. And they are teaching me that today is a day for watching the rain come down the window, or for teaching the dog to jump through a hula hoop, or for dreaming up the next story. The waiting game can be hard. I'm grateful to have my girls here to wait alongside me, and to pull me out of the waiting mindset as often as possible. Right now they're calling me into the other room, because they have finished their homework and want me to check it, and after that they need their nails painted. Right now. This is the moment I'm in. A quiet afternoon with my girls, who think I have any idea what they're talking about with open number lines and division pictographs. And who need blue and pink nails. Desperately. So off I go. One day closer to publication.

It's Official

I have a novel coming out! This crazy, decades-long dream of mine is becoming a reality, just like that. My awesome agent, Harvey Klinger, who expertly and kindly helped me shape my book, by showing me what unnecessary sections to cut, where to deepen characters, where to tighten the action, gave me the best Mother's Day gift by pronouncing my novel ready for submission to publishers. Two weeks later, I had a book deal. This next phase in my journey is happening head-snapping fast, but it also took a long time to come, which is probably the best way to receive success--pay your dues, dream your dream, work all day every day at it as hard as you possibly can, and then let it come.

This particular book, The Art of Adapting, (my 5th novel attempt) came fast and furiously, like it fully downloaded into my brain as I slept, and I raced through my writing sessions each day to keep up with the words filling my mind. I knew it centered around a man with Asperger's, inspired by but not based on my uncle who had Asperger's, and the rest followed quickly once I'd made that choice. His sister came to me next. She was going through a divorce, sort of empty-nesting with her new lack of a husband and children who no longer needed her as much as they once had. Her brother was going to be her new project. Her two teenage children caught in this family-in-flux also demanded their own voices. Her son was vying for popularity while lusting after his best-friend's sister, trying to get up the nerve to abandon a promising athletic future to pursue his true love, art. Her perfectionist daughter was battling invisibility, her first academic falterings, first love, and anorexia. The structure was set. Alternating voices of these four characters, each going through their own separate issues, each learning that fine balance of both standing alone and leaning on the people who love you. I had my first draft done in a few months, put it away while I started a new novel, then returned to it for revisions, sent it off to my beta readers, and revised one last time based on their feedback.

When I finished my novel, I decided to query agents in batches of 5, one batch per week. It seemed less overwhelming that way. I started with my top 5 choices. Harvey Klinger was among them. He got back to me a few hours after receiving my submission, and asked to see the opening chapters. A month later he asked to see the whole manuscript. Two weeks later, he wrote to say that it had potential but needed work, and that if I was willing to revise it with his direction, he was sure we could turn it into something he could sell. I had no idea what a significant moment that was when I accepted his offer and got to work. I was thrilled to have anyone out there believe in my book, in me. I knew the book wasn't perfect. I couldn't wait to make it better. Over the next few months, I cut over half of my preciously-written words (almost 50k words cut in all--ouch). I eliminated endless pages of backstory, minor characters, distracting plot lines, weak scenes, some entire chapters, and delved deeper into everything left. The best thing about Harvey is that his critique style worked so well with my writing style. He told me where my trouble areas were, and left it to me to fix the problems. He asked some great, hard questions, and I wrote and cut and revised until I had the answers. The book is now a fairly different manuscript than the one I initially sent to him, but every word of it is still mine.

When Harvey started the submissions process I tried not to think about it. I'd heard how long it can take for an agent to sell a book, horror stories of a year gone by and no interested publishers. Still, I checked my cell phone and email about a hundred times a day, just wondering. Nine days later, I got a nice email message that we had an interested publisher, and Harvey said he'd get back to me as soon as he knew more. When he called a few days later, the first thing Harvey said to me was "Sit down." I did. "Sold," he said. I don't really remember the rest of our conversation.

And just like that, come next spring The Art of Adapting will be published by Touchstone Books, an imprint of Simon & Schuster. It will have gone from words in my head to a real concrete thing that I can hold in my hands and show my kids and beg my friends and family to buy so that I can sign it with ridiculous gushings about how much I love each and every one of them. I can't tell you how many times I've hovered outside a bookstore wondering what it'd be like to see one of my own novels on display there. The fact that this will be happening in less than a year is mind-blowing. The kind of shock to the system that keeps waking me up at 3am, wondering if it's all really, finally happening, or if I was dreaming.

I can tell next year's going to be a crazy busy, crazy good year. I can feel how all of the time I've spent mastering the perfect balance of this single mom gig with blocks of time set aside for writing is about to get shaken up and I'll have to rebalance frequently and call in some serious babysitting favors along the way. But I'm ready. My girls are aware that with this new phase in my career comes time away from them. I've promised to take them with me when I can, because I don't want to give up the mommy gig, and because I want them to be a part of this next phase, too. It's as much for them as it is for me. They've given up a fair share of mommy time for this book. They've seen me spending hours on end in front of my computer, talking out loud to myself as I test phrases and snippets of dialogue. They get the quiet, introverted part of the job. But I don't think they had a clear sense of the end goal. I promised them a family trip to Hawaii once I'd sold my book, though, and you better believe it took them all of ten seconds to make good on that promise.

My daughters are both rock-star readers, reading several grades ahead of their age, and they both have a natural gift for writing that I wish I could say I taught them, but had absolutely nothing to do with. At six and eight, they know a lot more about this craft than I did at their ages, and they both get used as examples of good writing in their classes frequently. I know they inherently understand the nuts-and-bolts part of my job, but now I want them to understand what all of those writing sessions of mine were working toward. When I stand in that bookstore for the first time, looking at my novel on display there, I want them standing beside me.

Until then, it's back to work on my new novel. The character voices are so strong that I wake up in mid-conversation with them. I'm not sure where it's headed yet, but I know the only way to find out is to push the excitement aside for a few hours a day to write. My daughters are my best cheerleaders, always. They have promised to give me quiet time to write this summer while they are off school. Once the Hawaii trip is booked.

Baby Book

Two years ago, for a Christmas present for all of the immediate family members, I created a book about the girls. It was 24 pages long, in full color, with big glossy pages chock full of photos and accompanying text about milestones (first words, the age when they got their first tooth, when they took their first steps) as well as little anecdotes about trips they’d taken, their favorite outings, their earliest hobbies. It was a hit with the family, and I kept one archival copy for us (although, to be honest, I have no idea where it is right now).

The other day, as I was cleaning off my desk, heaped with years worth of miscellaneous papers, I came across the final draft of the book, printed on our home printer in basic black toner. It’s hard to make out the fine details of the photos in the dark copy, but as soon as the girls saw it, they recognized themselves. I’ve been reading them that book every night for bedtime for the past few days.

I don’t know about other kids, but mine just love hearing about what they were like as babies, or even just a year ago. They love stories about funny things they did or the quirky way they used to mispronounce certain words (and each other’s names). They both have the book memorized by now, and have developed their own narration to accompany it: “That’s when we were in Hawaii, and grandpa bought me that shovel, and that’s Daddy’s old phone that I used to play on, and that’s me drinking a smoothie from the place we never go anymore. Oh, and I remember that shirt!”

It makes me feel better about never doing a baby book for either of them. Between the photo book covering their early years, and this blog, maybe I’ve done as much, or even more, than a baby book would have.