You Are Enough

Like all of us, I've had my ups and down. More than I needed in the past few years. I went through a divorce that upended every facet of my future that I'd once counted on. I had to let go of all of those hopes and expectations, all of those future memories I was looking forward to, and embrace the now. A very different now than I'd wanted, but a perfectly valid, honest, and significant now just the same. I had to rebuild from the ground up. And I did. Because that's what I do. I've been taken down before, and I get up every time. Because what's the alternative?

I'm a little thing: petite, soft-spoken, and kind-hearted. But I'm tougher than I look. Beneath my lofty standards for myself, my perfectionist nature where I exceed every goal without troubling another soul, lies a very hard, stubborn core. I know who I am. I always have. And sometimes, when I wish I could be somebody else, someone braver or more social or more forgiving or less likely to be taken advantage of when I'm in an overly generous mood, being who I am feels like a liability. I'm stuck, you see. And this inability to morph into someone shinier and more impressive than who I am, who I've always been, this flaw of mine? It turns out it's actually my greatest strength. That has been my real journey these past few years. Learning that who I am, right now, flaws and all, is enough.

It started with being alone. I hadn't been single since I was sixteen years old. I'm not afraid of being alone. I like my own company. It just happened that way. As one relationship ended, a new one bloomed, over and over, my whole adult life. But not after my divorce. For the first time in decades, I was alone. I spent a year scrambling to care for two young kids and trying to remember who I was without a partner in life. Then I spent a year in a relationship where at some point I lost myself again. Then I spent another year alone, remembering all over again. It wasn't a fun time. But it served a purpose. Because after the house of your hopes and dreams blows down, you have to rebuild it. And if you build it alone, you get to design it to suit you above all others. I had never done that before. Built my life around me. It was hard and scary and involved a lot of sleepless nights worrying about the future that I couldn't see anymore. And it was amazing and promising and full of infinite possibilities as well. Who would I choose to be, if I could choose to be anyone, without anyone else's input? I'd choose me. Just as I am.

So I did. I let my kids in on a little secret: that I wasn't perfect, that I didn't have all the answers, that I was making it up as I went along. And a very cool thing happened. My oldest, a perfectionist herself, relaxed her ridiculously high standards, just a little. My youngest, even a shade more stubborn than her mother, stopped digging in quite so deep and hard whenever she was challenged. And we laughed, and we cuddled, and we told each other stories, and we made messes and cleaned them up, and we hurt each other's feelings and apologized and forgave one another. And we dreamed up limitless futures of endless possibilities together. 

And I wrote. I wrote every thought in my head down, because without a partner to tell it all to, I had no choice. I wrote a book-length journal about the failure of my marriage, as I tried to figure out what had gone wrong. I wrote stories about heartbreak. Novel attempts about loss. I wrote blog posts about single-motherhood. I put it all on paper, because that's also who I am, who I've always been. A writer, in secret, afraid to own the title. Worried that I wasn't worthy of it somehow.

But in my new house, built just for me, I let those worries go. It wasn't about anyone else, my writing. It was me putting my heart into words. And as soon as I stopped writing to please anyone but myself, I finally had it. A book worthy of an agent, a book deal, a new career.

I'm still learning, still faltering, still making mistakes as I stumble along. And still dreaming of bigger, better futures. I'm still building my house, filling it with myself, owning who I am.

And I can see now how many of us are doing the same thing. Struggling with the idea that we need to be bolder or more successful or funnier, sharper or more sophisticated to get the approval we so desire from those around us. So as this new year rolls out before us, I wanted to share with you what I've learned, and what I personally think of you. That right now, the person you are today, you are already enough. The next step isn't chasing some better version of yourself. It's owning who you already are. Loving that person. Giving him or her a house, or a room, or any safe place, to simply be.  You are enough.

Here

After a lifetime of wanting a seat at this table, the published author table, I'm now sitting here, humbled and proud, surrounded by insanely talented authors and wondering how I got here. Only I know how I got here. I never gave up the dream. I wrote whenever I could. I forgave myself when I allowed life to get in the way of my writing. And then I used those hard, derailing life moments in my writing when I got back to it. I worked hard, I sacrificed, I shunned distraction (well, mostly). And I tried to keep the stack of hopeful moments and blind faith piled up higher than the heap of self-doubt. But even though I'm here now, finally, and I can go down to the bookstore and see The Art of Adapting on a shelf there, like a real, actual novel (!), sometimes I still wonder if this is all real.

A very bright, intuitive friend looked at me recently and said, "It's like you're worried this might not happen, even though it's already happening." And that sums it up pretty well. Because when you've spent your whole life butting up against self-doubt and the skepticism of others, when you've heard endless unsolicited advice on the "real" jobs you should have, when you've watched other artist friends rise into their well-deserved stratospheres and longed to find your own arc upward, it's hard to let go of all of that. The self-doubt isn't just humility. It's a shield. It's a way of keeping everyone else's opinions outside yourself where they can't hurt you. You can't tell me I can't do it. Because I've already told myself that a thousand times.

But here's the secret. Although I'm a very quiet, calm, grounded, polite person who never makes public scenes or throws things in private tantrums, at my core I'm the most stubborn person I know. (Well, I was, until I had my daughter, but that competition is ongoing and I might still win.)

And that's what it really comes down to. Dreams are fantastic. Hopes are great. Plans are necessary. Surrounding yourself with the kind of people you want to emulate is brilliant. But it won't get you far if you aren't determined to see it through.

You'll encounter a lot of people who don't understand why you want to do whatever it is you want to do. They'll advise you against it. They'll cite examples of all the failures that have ever occurred. They'll open their hands and show you their own fears and try to convince you to carry them as yours. Don't. Instead, use it. When someone tells you you're wasting your time or energy, tuck that away and use it as fuel. I work just a little harder when I'm trying to prove someone else wrong. Maybe that's just me.

But that's not the point. The point is those people with the armloads of fears of your failure, who want you to pick something less risky, less interesting, less passionate? Who seem to want to hold you back and hold you down? They don't want to live in fear any more than you do. They have had a lifetime of doubts piled on them, too. They can't see their way clear of them. They're not asking you to get down in the dirt with them, even if it sounds that way. They're really asking you to lead the way out.

Maybe that's just what I want to believe. But it works for me. Because the alternative is succeeding to spite someone, which taints the success. Or succeeding alone, which is hard. But succeeding and also lighting the way for someone else, that would double the prize.

It's an honor, to have a seat at the big kids' author table, to look around at authors I've long admired. They have been nothing but welcoming. And equally awesome is looking around at the empty seats  at the table, ready and waiting for the next one to dream, persist, work and sacrifice and shun distraction (mostly) until they're ready to join the crowd.

So where is "here" for me? It's an in-between place. I thought once I had a book deal from a major publisher I'd feel some sense of solid ground under me. I'd feel like I'd done something. Seen it through to the end. And now I see that the path goes on forever, for as long as I can stay on my feet and keep moving forward, and there's so much more to write, and new fears to shove aside, and friends to meet, and newcomers to gather along the way. And it's okay to not feel a sense of finally having arrived. To keep asking if it's really okay if I sit at the table. To feel like I still need to keep dreaming, working, sacrificing, as much as ever. Because that is what success actually feels like. It's not the end of a dream. It's the choice, every day, to keep actively living it.

The Publication Waiting Game

I have five months to go. The publication date for The Art of Adapting is July 29, 2014. Which means that this is the lull before the lifelong dream comes true. I'm not an impatient person by nature, and I'm not in a rush to skip all of this lovely anticipation to get to my release date. Mostly.

I'm enjoying waking each morning and realizing all over again that this is no dream, it's really happening. I'm living in the moment, awash in gratitude and pride and possibility. And yet, it's a strange place to be, waiting for months on end to see how my novel will be received. The ARCs (advanced reader copies) of The Art of Adapting have been printed and are ready to be sent out to authors for blurbs and for reviewers to get a crack at. That alone is enough to cause some jitters. Will they like my characters? Will they feel the heart of the story? Will they find the family dynamics believable? Will they be able to tell I've never set foot on the college campus that I used in several scenes?

It's a good kind of limbo, I keep telling myself. I spend my quiet days working on my next book, caring for my daughters, visiting with friends and family, walking the dog, doing yoga. I have a balance going now that may shift come July, when book promotion kicks into high gear. I don't want to take a moment of this quiet phase for granted. But some days I think the waiting is just as distracting as the flurry of publication will be. That's when it's good to be a mom to young kids. Because as excited as they are that I have a book coming out, they live in the immediate present like no one else. When they are tired or hungry or desperate to show me the dance they've just choreographed, nothing else matters.

We were walking into school the other day, talking about the various jobs that people do, and my youngest daughter said, "Only you don't have a job." I felt my former stay-at-home mom hackles rising, in which I sometimes had to remind people that taking care of two little ones 24/7 is an exhausting non-paying job, and that I also did editing work on the side. Then she said: "You have a career." I asked her what the difference is, and she said that a job is work you do for money. A career is doing something you love for life. So, there's that. I would've loved to to teach my daughter that valuable lesson, had I thought of it. I'm glad she learned it on her own.

I get to experience this launch into authordom twice: once by myself, and again through the eyes of my kids. They get that this has been a lifelong dream. That I started writing stories when I was the same age they are now. That there were a lot of starts and stops along the way. And that the most important thing is that I never gave up. But they also get that having a book come out doesn't change my role as their mom one bit.

Sometimes I'm teaching them, and sometimes they're teaching me. I've shown them that no dreams are too big, that nothing is impossible, that the only obstacle between you and your dream is you. And they are teaching me that today is a day for watching the rain come down the window, or for teaching the dog to jump through a hula hoop, or for dreaming up the next story. The waiting game can be hard. I'm grateful to have my girls here to wait alongside me, and to pull me out of the waiting mindset as often as possible. Right now they're calling me into the other room, because they have finished their homework and want me to check it, and after that they need their nails painted. Right now. This is the moment I'm in. A quiet afternoon with my girls, who think I have any idea what they're talking about with open number lines and division pictographs. And who need blue and pink nails. Desperately. So off I go. One day closer to publication.

Vision

So, it's 2014. This is the year I've been waiting for. My vision-board-come-true year. Just over a year ago my sister, dad, step-mom, kids, and I got together with a stack of poster boards and a heap of magazines to make our first vision boards. Mine sits on my desk just behind my computer, where I see it every day as I work: Hawaii images, yoga poses, chocolate, coffee, lavender bouquets, and Ganesha, the patron of letters, who keeps me company as I write. Scattered throughout are words like breathe, play, success, wellness, and joy. I put all of my dreams up there, too: agent, publishing contract, travel, balance. And as the year went on I had to keep adding new words, because the wishes all started coming true. I got an agent. I got a publishing contract. I got two trips to Hawaii. I found balance. The board, now framed, still sits in front of me at my desk, a reminder of how far I've come, how much possibility still lies before me.

I've always been a pragmatic dreamer, which means that I daydream up these outlandish notions of where my life could go, all the while working like hell to make a dent in whatever pile of work I've given myself for the day. I rarely need to be pushed by anyone, I drive myself harder than anyone else ever would. This is a great attitude to have when trying to get published. Keep dreaming that it's possible, but never lose focus on the blank page in front of you. Keep coming at it until you get it right. Most days I still have the same attitude. I am aware that I have a novel coming out in six months, which is so ridiculously exciting that I can barely sleep if I think about it too much, but I also know that if I spend too much time thinking about it I'll be too distracted to write more novels. And I want to write more novels. Tons of them.

It also helps to have young children. Nothing keeps you humble like two kids doing cartwheels and walkovers in your office, asking an endless stream of questions about when they were babies, how exactly you chose their name, why there are so many irregular verbs in English, whether they can have a pet chinchilla. My seven-year-old likes to read my writing notes over my shoulder and question every one of them: "But why does she want to move? I think if she liked her house she wouldn't want to leave. Maybe you need to write something about why she doesn't like her old house anymore." My eight-year-old sometimes comes downstairs at midnight and tells me to go to bed. She knows as well as I do that sleeping in is not part of a single mom's life.

My girls have been off school a lot lately. A week for Thanksgiving, a week in Hawaii to celebrate my book deal, then two weeks off for winter break. I haven't gotten a lot of writing done in the past six weeks, and I miss it. But I've gotten to spend a lot of mornings with my girls, sipping coffee while watching them play. They have vivid imaginations and create elaborate games that involve singing, dancing, drawing, creating new forms of currency, granting wishes, punishing evil-doers, and traveling the world. They are my blank page, too.

I already know that this is going to be a great year. The one when I finally see my name on the cover of a novel. The one when I finally take the leap to author. My girls will continue to grow taller and master new gymnastics skills and learn new things and wake me up way too early on Saturday mornings. I expect it to be my best year yet. Maybe it's time to make a new vision board, and dream up some even bigger dreams.

The Holidays Are Coming!

It's here, isn't it? That busy, social stretch of time that extroverts love and introverts get all anxious about. Shopping in crowded stores that are blaring Christmas music and assaulting me with cinnamon smells, flashing lights, little sleigh bells that jingle on every door. Planning family gatherings with divorced and remarried parents, which means four different get-togethers with various factions of the family in a good year. Endless planning and cleaning and cooking and shopping. It's not that I don't love the holidays: decorating the tree with my girls, laughing and catching up with family, watching my girls' faces light up when they open their gifts. It's that I don't love everything else about the holidays. The gear-up, the pressure, the shopping, the clean-up pre- and post-gathering, the un-decorating, the friends with their timely hand-written Christmas cards and home-made sugar cookies from scratch that make me feel like I never got the proper domestic gene.

For me this busy time of year starts in early October, when we haven't even fully settled into the school routine yet, and I suddenly need to plan my daughter's birthday party. Then comes Halloween. Thanksgiving. Christmas. My other daughter's birthday. Valentine's Day (which is a stress-free holiday unless you have school kids who need to do 30+ valentines each). And then, finally, I get to breathe a sigh of relief and focus on non-holiday things for a stretch.

So, by this time of year, when the Thanksgiving "what dishes will you bring?" emails are going around and the stores are already celebrating Christmas, I'm already tired.

But I'm happy to say that this year, it's different. While the holidays and family time matter, they aren't the center of my days this time around. This year, my days are spent writing first, and planning and shopping second. And not the kind of writing I was doing last year at this time, the "I sure hope someday somebody takes a chance on me" writing that I had been doing for years. This year it's all happened. Someone did take a chance on me. In the past 12 months I've gotten a literary agent, revised The Art of Adapting word for word with his excellent guidance, dug deep and dumped my fears and found out what I really have inside me. I'm proud of the novel I ended up with. The Art of Adapting is the best thing I've written. And then came the book deal. Getting a publishing contract has been a dream of mine for as long as I can remember. The kind of dream that's so big and so unlikely that you never think about what happens after it comes true. This holiday season, my days are filled with discovering what happens next.

And what happens next is this: looking over copyedits of my novel for my publisher, going back and forth with them as we try to find the perfect cover design, and writing my next novel. I pulled off the birthday party, Halloween was great, Thanksgiving's just about all planned out, I've even started some Christmas shopping. And my anxiety about the whole thing is practically nil, because every morning I wake up not thinking about all of the holiday tasks I need to complete, but how I need to trim that lengthy backstory passage, or work in a hint at a character's secret through dialogue, or find the best words to describe the scent of a summer morning.

The holidays are still barreling straight for me, like they always do. My kids are right this second sitting on the couch with notepads on their knees making epic wish lists for Christmas. I'm shut inside my office, trying to drown out the Disney Channel, writing. I will not be sending out Christmas cards. I won't be making sugar cookies. I will be writing, putting the finishing touches on my second novel, proofing the layout of The Art of Adapting, settling on the right cover design, continuing the outline for my third novel. And wishing all of you the best kind of holiday season. One where your days are spent doing what you love most, visiting with the people you love most, and where the stress of all that you "should" do to prepare and celebrate gets forgotten. Happy holidays!

Summer's End

We had lofty plans for the summer. Okay, not lofty. But we had plans. Most of which didn't ever make it out of the planning stage. They didn't include me selling my first novel (The Art of Adapting) to a real, bonafide publisher just as the school year was winding to an end, so some things turned out a billion times better than planned. They also didn't include my daughter needing 8 stitches in her knee and weeks of healing time, and having to cancel several activities as a result. But here's what we did do this summer:

We went to the horse races, and during the intermission, they held wiener dog races, which are just as hysterical as they sound. Some of those dogs really book it on those short legs. Some run in the complete wrong direction. Some get taken out by huge, unexplained dog piles mid-track. The girls loved it. My youngest, who is on a mission to pet every dog in the universe, got several of them crossed off her list that day.

We took a couple of family trips with my mother, sister, and niece. Somehow we have all ended up single at the same time, with only daughters. We are an all-girl family. Which means lots of fun girl-time when we're all together, wherever we are. And you just can't have too much girl time. My daughters call their cousin their "sister-cousin" which shows how close they are. Just watching the three youngsters play together, at 4, 6, and 8 years old, is a joy like nothing else.

We went to the library, a local amusement park, to swimming pools, and had play dates. The usual stuff, and nothing special, except that I was with my daughters, watching them get taller and stronger and less shy about walking up to the girl behind the counter at the frozen yogurt place and asking for a cup of water all by themselves. Small milestones, but milestones just the same.

I wrote. Not as much as I would've liked, because there were these kids around so much, but when your work day consists of jotting down notes for the chapter you don't have time to write, surrounded on both ends by cuddles with your children, telling them stories, watching them do cartwheels and handstands, making homemade snow cones, and taking endless photos of them being their adorable selves, you have a pretty good life.

And that's the difference for me this summer, compared to last. Yes, the book deal helped immensely. Knowing that The Art of Adapting was going to be in print next July took a lot of pressure off me. Knowing that I had an income on the way in the tail-end of my divorce also relieved a lot of stress. Last summer I was still scraping by while chasing the dream, and felt frustrated when I wasn't making any progress. This summer I wanted time to slow down. I want this moment, the butterflies every time I wake up and remember that my novel is actually getting published, to last as long as possible. I want to relish every moment with my girls, because I can see how fast they are growing up. My eight-year-old is already so tall she barely fits in my lap. Which means I need to get those lap times in as often as I can.

My girls know that The Art of Adapting is getting published. They know that it was inspired by their Uncle Michael, who they will never meet, who had Asperger's. They had lots of questions about Asperger's, and about the other characters in the book. My six-year-old had me summarize the entire novel for her, and after three days of recounting it for her, she told me it sounded good to her. But my girls weren't clear on what getting "published" meant. They wanted to know the difference between my agent, my publisher, and my editor. They wanted to know how books are made. How they get to the bookstore. Who decides how much they cost. Who designs the covers and makes the paper and where the ink comes from. They have more questions than I have answers, but it makes this whole journey more fun and meaningful to have them to share it with, to discover the answers with them.

Originally I wanted to put them in summer camp somewhere so I could have a lot more writing time. Another summer plan that didn't work out, for financial reasons, and I'm grateful for that. My writing time will come. Time with my girls is fleeting.

The school grind kicks off next week for us. Back to lunch prep, stirring cranky girls from bed, brushing their hair while they eat breakfast, and rushing off to school always a few minutes later than we meant to get out the door. Back to homework and school projects that end up being more work for the parent than they are for the child. Back to the weekly "your child has been exposed to lice/strep throat/pink eye" notices. Back to the field trips that I always volunteer for then wonder what I was thinking. And back to writing, all day while they are at school. I have two new novel ideas battling it out in my brain, and my editor and I are going to be working on final revisions for The Art of Adapting. I have plenty of work to do, the kind of work that I love so much that it can't really be called work, and the time to do it. And I'll love every minute of it. And I'll also miss the lazy summer days, sitting on the front steps while the girls draw chalk mermaids on the driveway or put on fashion shows that morph into gymnastics performances for me. I'm ready for summer to be over, and I'm not. Which is exactly how it should feel at summer's end.

It's Official

I have a novel coming out! This crazy, decades-long dream of mine is becoming a reality, just like that. My awesome agent, Harvey Klinger, who expertly and kindly helped me shape my book, by showing me what unnecessary sections to cut, where to deepen characters, where to tighten the action, gave me the best Mother's Day gift by pronouncing my novel ready for submission to publishers. Two weeks later, I had a book deal. This next phase in my journey is happening head-snapping fast, but it also took a long time to come, which is probably the best way to receive success--pay your dues, dream your dream, work all day every day at it as hard as you possibly can, and then let it come.

This particular book, The Art of Adapting, (my 5th novel attempt) came fast and furiously, like it fully downloaded into my brain as I slept, and I raced through my writing sessions each day to keep up with the words filling my mind. I knew it centered around a man with Asperger's, inspired by but not based on my uncle who had Asperger's, and the rest followed quickly once I'd made that choice. His sister came to me next. She was going through a divorce, sort of empty-nesting with her new lack of a husband and children who no longer needed her as much as they once had. Her brother was going to be her new project. Her two teenage children caught in this family-in-flux also demanded their own voices. Her son was vying for popularity while lusting after his best-friend's sister, trying to get up the nerve to abandon a promising athletic future to pursue his true love, art. Her perfectionist daughter was battling invisibility, her first academic falterings, first love, and anorexia. The structure was set. Alternating voices of these four characters, each going through their own separate issues, each learning that fine balance of both standing alone and leaning on the people who love you. I had my first draft done in a few months, put it away while I started a new novel, then returned to it for revisions, sent it off to my beta readers, and revised one last time based on their feedback.

When I finished my novel, I decided to query agents in batches of 5, one batch per week. It seemed less overwhelming that way. I started with my top 5 choices. Harvey Klinger was among them. He got back to me a few hours after receiving my submission, and asked to see the opening chapters. A month later he asked to see the whole manuscript. Two weeks later, he wrote to say that it had potential but needed work, and that if I was willing to revise it with his direction, he was sure we could turn it into something he could sell. I had no idea what a significant moment that was when I accepted his offer and got to work. I was thrilled to have anyone out there believe in my book, in me. I knew the book wasn't perfect. I couldn't wait to make it better. Over the next few months, I cut over half of my preciously-written words (almost 50k words cut in all--ouch). I eliminated endless pages of backstory, minor characters, distracting plot lines, weak scenes, some entire chapters, and delved deeper into everything left. The best thing about Harvey is that his critique style worked so well with my writing style. He told me where my trouble areas were, and left it to me to fix the problems. He asked some great, hard questions, and I wrote and cut and revised until I had the answers. The book is now a fairly different manuscript than the one I initially sent to him, but every word of it is still mine.

When Harvey started the submissions process I tried not to think about it. I'd heard how long it can take for an agent to sell a book, horror stories of a year gone by and no interested publishers. Still, I checked my cell phone and email about a hundred times a day, just wondering. Nine days later, I got a nice email message that we had an interested publisher, and Harvey said he'd get back to me as soon as he knew more. When he called a few days later, the first thing Harvey said to me was "Sit down." I did. "Sold," he said. I don't really remember the rest of our conversation.

And just like that, come next spring The Art of Adapting will be published by Touchstone Books, an imprint of Simon & Schuster. It will have gone from words in my head to a real concrete thing that I can hold in my hands and show my kids and beg my friends and family to buy so that I can sign it with ridiculous gushings about how much I love each and every one of them. I can't tell you how many times I've hovered outside a bookstore wondering what it'd be like to see one of my own novels on display there. The fact that this will be happening in less than a year is mind-blowing. The kind of shock to the system that keeps waking me up at 3am, wondering if it's all really, finally happening, or if I was dreaming.

I can tell next year's going to be a crazy busy, crazy good year. I can feel how all of the time I've spent mastering the perfect balance of this single mom gig with blocks of time set aside for writing is about to get shaken up and I'll have to rebalance frequently and call in some serious babysitting favors along the way. But I'm ready. My girls are aware that with this new phase in my career comes time away from them. I've promised to take them with me when I can, because I don't want to give up the mommy gig, and because I want them to be a part of this next phase, too. It's as much for them as it is for me. They've given up a fair share of mommy time for this book. They've seen me spending hours on end in front of my computer, talking out loud to myself as I test phrases and snippets of dialogue. They get the quiet, introverted part of the job. But I don't think they had a clear sense of the end goal. I promised them a family trip to Hawaii once I'd sold my book, though, and you better believe it took them all of ten seconds to make good on that promise.

My daughters are both rock-star readers, reading several grades ahead of their age, and they both have a natural gift for writing that I wish I could say I taught them, but had absolutely nothing to do with. At six and eight, they know a lot more about this craft than I did at their ages, and they both get used as examples of good writing in their classes frequently. I know they inherently understand the nuts-and-bolts part of my job, but now I want them to understand what all of those writing sessions of mine were working toward. When I stand in that bookstore for the first time, looking at my novel on display there, I want them standing beside me.

Until then, it's back to work on my new novel. The character voices are so strong that I wake up in mid-conversation with them. I'm not sure where it's headed yet, but I know the only way to find out is to push the excitement aside for a few hours a day to write. My daughters are my best cheerleaders, always. They have promised to give me quiet time to write this summer while they are off school. Once the Hawaii trip is booked.

The Call

It happened today. I got the call. Writers talk about "getting the call" like it's some mythical thing, a fairy godmother moment when all of your dreams magically come true. Because it is.

Today my agent, the passionate, brilliant, patient mentor of my dreams, Harvey Klinger, called me to say that my novel revisions are done, my book is ready, and he's going to start sending it out to acquisitions editors at publishing houses. Today I am not just a writer who locks herself up in her office for 5 hours every day and pours her heart onto a blank page hoping someday someone out there will care to read a few words of it. Today is the day I take the next step.

It's been a long journey, to say the least. I started writing short stories when I was 8, after a student-teacher visited my fourth grade class and gave us the first paragraph of a story, and an assignment to write an ending for it. We were supposed to add a paragraph or two. Four pages later, I had discovered a passion I never knew was there. So I wrote, almost daily, from then on. Occasionally I showed a story to my mother or sister, but rarely anyone else. Writing was a private thing for me, best done by flashlight in a journal after I was supposed to be asleep.

I had awesome English teachers in both junior high and high school (let's raise a toast to public school teachers who can reach through the bureaucracy to inspire kids!). These teachers recognized a glimmer of talent in the super shy petite girl who never raised her hand or spoke above a whisper. They made me read my papers aloud to the class as examples of good writing. They made me believe in myself and stop thinking of writing as purely a private thing.

On the encouragement of those teachers, I went to college as a writing major, where I learned to love writing workshops and critique groups and hanging out with other writers who were crazy talented and chasing the same big dream. I generated a ton of writing in college, but I never tried to publish any of it. That still seemed like something for other, better writers, not me.

But from the moment I finished college, I missed it. The camaraderie of writers. I lucked into an editing job with no editing training. I loved my job, but it was mostly correcting grammar and drafting department newsletters and brochures, and it didn't feed my creative writing side. So I decided to go to grad school, to immerse myself back into the stew of writers taking risks and pushing themselves and dreaming big. It was a hard two years. I was in the middle of a divorce which I insisted on doing myself, because why hire a lawyer to do a bunch of paperwork I could do myself? I was working full-time and going to school full-time, leaving me with about thirty seconds of down time each day. I gave up eating and sleeping and TV and movies and seeing friends and family. I came down with mono and refused to miss a single class because I had no free time to make up missed assignments. And I loved every minute of it. I was in workshops with some of the most talented writers I'd ever seen. I was inspired by them, pushed by them, and I stretched and grew as a writer.

And then I graduated: exhilarated, exhausted, totally burnt out, and took a break. I got remarried. I had kids. I settled into the life of a mom and wife first and foremost. Writing became a sometimes-hobby, not a passion. I squeezed it in around the edges, never giving it my full attention. I was freelance-editing from home while caring for two kids a year and a half apart, two babies at once, really, with a husband who was gone a lot for work. I was exhausted, sleep-deprived, friend-deprived, passion-deprived. And as it all slowly began to unravel, the marriage and the life I thought I'd always wanted, I realized the only thing that had always made me 100% happy was writing. And I wasn't writing.

I started again. Small at first. A couple of hours a couple times a week. Short stories and outlines for books and random scenes for screenplays. I wrote my first (terrible) novel that none of you will ever see, but I learned a lot in the process. I took a risk and started submitting short stories. My first story was a finalist for a Glimmer Train contest. That's not a small thing, but I didn't know it at the time. I just thought: wow, recognition is great! And it lit a fire, and it made me happy, every second of every day that I spent writing eclipsed the sadness of my failing marriage and doubts about my skills as a frequently-solo mother. So I kept at it. Writing, submitting, writing, submitting. I made a choice, to pursue writing with all that I had, to pour every feeling that I had bottled up inside onto the page. Writing is a solitary thing, and one of the hard things about my life was that I was alone too much, always with kids in tow, but without enough grown-up friends or family around to remind me of who I was aside from a mom. Writing became that friend. And then a funny thing happened. The joy that writing gave me opened me back up, and suddenly I had a whole slew of great new friends who knew me as a writer and not just a mom. And then I began to see myself that way.

My kids know that I'm a writer. When people ask them what I do, they are quick to say "My mom's a writer." It took me years to own that label, to introduce myself to people as a writer. Even after getting published, I had only ever earned income as an editor. How could I call myself a writer? Even after getting award recognition for a novel, I was reluctant to use the term. Even though I was spending hours each day writing, I had trouble owning it.

So that's the big difference that getting the call makes. I still earn my income editing other writers' maniscripts. But now, now I feel like I can own that "Writer" label with pride. Now I have people in the business who know a lot more about writing and publishing than I do calling me a writer. Now I have a voicemail that I will save forever from the best agent ever telling me: "You did it. You're ready." That was the call. And it's changed everything.

The Next Big Thing

Many thanks to my amazing poet friend Patricia Caspers for inviting me to share about my work in progress through the blog series The Next Big Thing. Here goes:


What is your working title of your book (or story)?
The current working title is "The Art of Adapting" but I'm betting it'll change.



Where did the idea come from for the book?
My uncle Mike had Asperger's Syndrome, and I always knew I'd write a story about a man based on him. It's evolved into its own story, so at this point it's not my uncle's story at all, but he still gets credit for the inspiration.



What genre does your book fall under?
I'd like to say literature, but since much of it comes from a woman's point of view, it seems likely to get shelved under women's fiction.



Which actors would you choose to play your characters in a movie rendition?

I have no idea. I have clear visions of my characters and no actors look exactly like them. But if I had to choose, maybe Juliana Margulies and Joaquin Phoenix.



What is the one-sentence synopsis of your book?
Lana, recently separated from her husband and no longer the center of her teenage children's world, takes in her brilliant and eccentric brother with Asperger's Syndrome to help make ends meet.



Will your book be self-published or represented by an agency?
I'm going the agency route.



How long did it take you to write the first draft of your manuscript?
The first draft took 3-4 months. The rewrites are taking much longer!



What other books would you compare this story to within your genre?
I'd like to say it's comparable to Marisa de los Santos' books, because I adore her, but that may just be wishful thinking.



Who or what inspired you to write this book?
It was actually inspired by a movie I saw about a man with Asperger's Syndrome who seems to magically and inexplicably "recover" in the end, finding a way to adapt to mainstream society without any help whatsoever. As someone who grew up around Asperger's and learned to love my quirky uncle on his own terms, I wanted to portray a more realistic vision of a similarly eccentric, beautiful, strange soul who doesn't need to "recover" because there's nothing wrong with him. He just is who he is, the one constant in a family of ever-changing dynamics, and deserves to be loved and accepted as-is.



What else about your book might pique the reader's interest?

It's my first time trying my hand at writing from multiple points of view: 4 characters in all. It's been a fun challenge.

The Writer-Mommy

The strangest thing about having a blog is the sheer fact that people read it. I can’t tell you how many times I’ve run into a friend and started to tell her a funny story about my kids, only to find that she already knows all about it. How, when I haven’t seen her in a few weeks? Apparently many people I know actually read this blog. Which is great, but surprising. And which makes me feel guilty for not keeping up on it more. I’ve been working hard on the writing front, that’s my excuse. Two novels done, taking turns going out to agents, coming back, going out again…like waves on the vast ocean of one possible future. In the mean time I’m submitting a short story to literary journals, working on my third novel, writing a new short story, and revising two old short stories to send out. This business part of writing, the submissions and collecting of rejections, is the least fun part for me, but it’s the part where I’ve always quit in the past, so I’m not quitting this time.

As for the girls, they like that I’m devoting so much time to writing. Sure, when I duck out for a writing night (where hubby puts me up in a nearby hotel, keeps them for the night, and I crank away for as many hours as my weary eyes will tolerate), sometimes they fuss and beg me not to go. But in general, they think it’s cool. They are both book lovers, and the idea that I’m ditching them for an evening of working on something they appreciate seems to make it okay. And the fact that String Bean has announced many times that when she grows up, she wants to be a writer like mommy…well, I don’t have to tell you how proud that makes me.

The Query Process

Novel number two just went out to its first agent. The submission process, a one-sided affair where you bombard literary agents with your work and get back no response at all most of the time, or form-letter rejections if you hear back at all, is the kind of thing you need a thick skin for. To keep putting your heart out there to be judged, and getting rejection after rejection, and never give up, is a serious challenge. I’ve been down this road before, many times actually, and I’ve always quit when it got too depressing. This time, I’m resolving not to quit. With my two novels circulating the globe, visiting the in-boxes of agent after agent, I resolve to keep them afloat and in circulation until I’ve run out of agents to query.

It’s one of those life lessons that children teach you: never giving up. Anyone who’s ever tried to talk a three-year-old out of something knows what I’m talking about. Peanut can be relentless in her stubborn nature. If she wants to watch Snow White, and you want to do absolutely anything other than watch Snow White, I can tell you now, after eight hours of killing yourself distracting her with every toy, craft, and show in the house, you’re going to find yourself watching Snow White. String Bean has the exact same never-stop-asking streak, and uses it just as effectively. She’s less about needing a movie fix and more about needing objects, but her fixation on the object she’s chosen to need at any particular time is staggering. I think she asked for Bendaroos every single day for six months before her grandma broke down and bought them for her.

If I can send my book out to a different agent every day for six months, I’m sure I could find one that was a good fit. I hope my demanding little munchkins can help me stay focused on my mission, reminding me that persistence, more often than not, does eventually pay off.

A Writer's Life

Just over four months ago I started my second novel, while my first one is still making rounds among agents, waiting for someone to feel enough of a connection to it to ask to see more than the synopsis or first 50 pages. So far no nibbles on that one, but that hasn’t slowed me down any in writing. Now that I have a good writing schedule set up, I’ve been doing a pretty good job of staying on-task. Which means only the blog has been suffering. Sorry about that.

Anyway, last weekend I finished my second novel, which I probably don’t have to say is a huge, exciting, terrifying thing. And now I get to repeat the process again. I’m doing a full revision right now, smoothing out some bumps in the time-frame of the story and looking for overly conventional word choices to change. Next I’ll use one of my beloved writing nights, when hubby keeps the girls and I duck off to a local hotel for the night, to read the entire thing out loud. It’s my favorite editing tactic, the only way I know to “hear” those old familiar words with fresh ears. Then, I’ll send it to friends I can trust to find my typos, continuity problems, underdeveloped characters, weak points in plot development, and who will hopefully tell me if the ending is a sufficient payoff for the setup (to quote a grad school writing prof of mine). Then comes the synopsis, the query letter, and a list of agents to target with my hopes and dreams for this little work of mine.

But first, I’m going to spend a few more days just looking at the finished product, the collection of files on my computer that make up this little book of mine, and marveling that I’ve managed to write two novels now. The third one is already taking shape in my mind, a little seed that’s just starting to sprout. I don’t know if this new career venture is going to work out for me or not, but I have to say I genuinely love the process, and so I’ll keep it going, until I simply can’t anymore. And maybe, just maybe, I’ll get one (or more) of these novels published.

Happy Birthday to Me

Last Friday was my birthday, and despite having two sick kids at home who were stir crazy with missing school and out to cause each other bodily harm out of sheer crankiness, I had a great day. I woke up to my two precious little bundles of nonstop chatter bursting into my room, talking over each other in their excitement to wish me a happy birthday, and then describe every present and card waiting for me downstairs. Sure, they’d only seen the cardboard boxes that had come in the mail, and the colored envelopes waiting on the dining room table, but they were so excited that even these paper products were worthy of lengthy descriptions. We headed downstairs and they helped me open everything, running off with the prettiest cards before I’d had a chance to read them and storming my boxes of gifts like demolition experts (luckily I received nothing fragile). They sang “Happy Birthday” to me as I made my morning mocha, sang it again as I checked my email, and sang it again as I fed the dog.

My mom came down to brave the sickies and babysit so hubby and I could head out to celebrate. She came early, just as I was putting the girls down for much-needed naps, and while hubby was still at work. I took advantage of the time to run down the street to Starbucks with my laptop and get a little writing done. During my hour and a half break, I put the finishing touches on the final two chapters of a novel I’ve been writing for the last five months. It’s just the first draft, and I already have ideas for what needs tightening up or loosening up during revision, but it’s the first novel I’ve ever written, so I’m pretty proud of myself. I’ve spent years writing nonfiction, sharing family secrets and telling stories about crazy events in my life, but this novel is complete fiction. Finally, a book I can publish without having to apologize to anyone or warn anyone! I realize that trying to get it published will be a tremendous challenge, but looking back at the discipline it took to crank this 85,000 word novel in just five months, squeezed in around caring for my girls, I feel like I’ve already achieved success. In all my 38 years, it’s the best birthday gift I’ve every given myself.