It's Official

I have a novel coming out! This crazy, decades-long dream of mine is becoming a reality, just like that. My awesome agent, Harvey Klinger, who expertly and kindly helped me shape my book, by showing me what unnecessary sections to cut, where to deepen characters, where to tighten the action, gave me the best Mother's Day gift by pronouncing my novel ready for submission to publishers. Two weeks later, I had a book deal. This next phase in my journey is happening head-snapping fast, but it also took a long time to come, which is probably the best way to receive success--pay your dues, dream your dream, work all day every day at it as hard as you possibly can, and then let it come.

This particular book, The Art of Adapting, (my 5th novel attempt) came fast and furiously, like it fully downloaded into my brain as I slept, and I raced through my writing sessions each day to keep up with the words filling my mind. I knew it centered around a man with Asperger's, inspired by but not based on my uncle who had Asperger's, and the rest followed quickly once I'd made that choice. His sister came to me next. She was going through a divorce, sort of empty-nesting with her new lack of a husband and children who no longer needed her as much as they once had. Her brother was going to be her new project. Her two teenage children caught in this family-in-flux also demanded their own voices. Her son was vying for popularity while lusting after his best-friend's sister, trying to get up the nerve to abandon a promising athletic future to pursue his true love, art. Her perfectionist daughter was battling invisibility, her first academic falterings, first love, and anorexia. The structure was set. Alternating voices of these four characters, each going through their own separate issues, each learning that fine balance of both standing alone and leaning on the people who love you. I had my first draft done in a few months, put it away while I started a new novel, then returned to it for revisions, sent it off to my beta readers, and revised one last time based on their feedback.

When I finished my novel, I decided to query agents in batches of 5, one batch per week. It seemed less overwhelming that way. I started with my top 5 choices. Harvey Klinger was among them. He got back to me a few hours after receiving my submission, and asked to see the opening chapters. A month later he asked to see the whole manuscript. Two weeks later, he wrote to say that it had potential but needed work, and that if I was willing to revise it with his direction, he was sure we could turn it into something he could sell. I had no idea what a significant moment that was when I accepted his offer and got to work. I was thrilled to have anyone out there believe in my book, in me. I knew the book wasn't perfect. I couldn't wait to make it better. Over the next few months, I cut over half of my preciously-written words (almost 50k words cut in all--ouch). I eliminated endless pages of backstory, minor characters, distracting plot lines, weak scenes, some entire chapters, and delved deeper into everything left. The best thing about Harvey is that his critique style worked so well with my writing style. He told me where my trouble areas were, and left it to me to fix the problems. He asked some great, hard questions, and I wrote and cut and revised until I had the answers. The book is now a fairly different manuscript than the one I initially sent to him, but every word of it is still mine.

When Harvey started the submissions process I tried not to think about it. I'd heard how long it can take for an agent to sell a book, horror stories of a year gone by and no interested publishers. Still, I checked my cell phone and email about a hundred times a day, just wondering. Nine days later, I got a nice email message that we had an interested publisher, and Harvey said he'd get back to me as soon as he knew more. When he called a few days later, the first thing Harvey said to me was "Sit down." I did. "Sold," he said. I don't really remember the rest of our conversation.

And just like that, come next spring The Art of Adapting will be published by Touchstone Books, an imprint of Simon & Schuster. It will have gone from words in my head to a real concrete thing that I can hold in my hands and show my kids and beg my friends and family to buy so that I can sign it with ridiculous gushings about how much I love each and every one of them. I can't tell you how many times I've hovered outside a bookstore wondering what it'd be like to see one of my own novels on display there. The fact that this will be happening in less than a year is mind-blowing. The kind of shock to the system that keeps waking me up at 3am, wondering if it's all really, finally happening, or if I was dreaming.

I can tell next year's going to be a crazy busy, crazy good year. I can feel how all of the time I've spent mastering the perfect balance of this single mom gig with blocks of time set aside for writing is about to get shaken up and I'll have to rebalance frequently and call in some serious babysitting favors along the way. But I'm ready. My girls are aware that with this new phase in my career comes time away from them. I've promised to take them with me when I can, because I don't want to give up the mommy gig, and because I want them to be a part of this next phase, too. It's as much for them as it is for me. They've given up a fair share of mommy time for this book. They've seen me spending hours on end in front of my computer, talking out loud to myself as I test phrases and snippets of dialogue. They get the quiet, introverted part of the job. But I don't think they had a clear sense of the end goal. I promised them a family trip to Hawaii once I'd sold my book, though, and you better believe it took them all of ten seconds to make good on that promise.

My daughters are both rock-star readers, reading several grades ahead of their age, and they both have a natural gift for writing that I wish I could say I taught them, but had absolutely nothing to do with. At six and eight, they know a lot more about this craft than I did at their ages, and they both get used as examples of good writing in their classes frequently. I know they inherently understand the nuts-and-bolts part of my job, but now I want them to understand what all of those writing sessions of mine were working toward. When I stand in that bookstore for the first time, looking at my novel on display there, I want them standing beside me.

Until then, it's back to work on my new novel. The character voices are so strong that I wake up in mid-conversation with them. I'm not sure where it's headed yet, but I know the only way to find out is to push the excitement aside for a few hours a day to write. My daughters are my best cheerleaders, always. They have promised to give me quiet time to write this summer while they are off school. Once the Hawaii trip is booked.

Dream-Chasers

This whole crazy journey I'm on started when I was about my daughter's age, and had no idea I was even on a journey. I wrote my first short story when I was 8 or 9, and never looked back. I wrote from then on, without even thinking about why. At first I just wrote stories for my sister and step-sister, made them characters in adventures, because while they were hogging the Atari controls, I had nothing better to do. They were experts at Pong and Combat, and I was figuring out the art of storytelling. It was no big deal. Except that it got into my bones somehow, the need to write, to make up stories, to move people with words. By high school I knew that I wanted to be a writer, without having any idea what that meant. Did writing even count as a job? I had plenty of naysayers to inform me that, no, it did not. Writing was a skill all adults needed. It was a fine hobby. It didn't count as a career. But one thing about me: I'm ridiculously stubborn. I mean, most of the time I'm easy-going. I don't care where we go for dinner or what movie you want to see. I'm flexible on that stuff. But when someone tells me I can't do something that I really want to do, that easy-going nature disappears. Give me something to prove or disprove, and you get a whole different girl.

So I went to college and got a degree in creative writing. I loved my program, my professors, my fellow aspiring-writer students. I loved everything except the way everyone kept saying "Yes, but what will you do for a living? A writing degree won't get you a job." So I got stubborn about that, too, and only applied for writing-related jobs. And got one. I started out as an assistant editor just after graduating college. By the time I decided to go to grad school to earn yet another writing degree I was an editor. By the time I finished my master's degree, I was a senior editor. A senior editor with an MFA in creative writing and a head full of epic dreams of publishing novels. But no idea how to make that dream come true.

I started with short stories. I wrote one after another until I felt like they weren't grappling with me for ultimate control anymore. I started sending them out, and got some award recognition, and then I started getting published. I crafted and recrafted them until I'd published almost all of them. I tried my hand at novels, fighting the unyielding beast until I'd figured out the form, the arc, the pacing, the character development, the heart. The first novel I ever dared show the world was a semi-finalist for the Amazon Breakthrough Novel Award. I figured I was on the right track. But as I sent that book out to literary agents, I knew something about it wasn't right yet. I started a new novel, with a better understanding of what worked and what didn't. I finished it in a few months, quickly revised it with the help of awesome beta readers, and sent it out to a handful of literary agents. And one of them loved it. A huge agent. One of the big dogs.

So here I am. We're in the revision stage now, where my agent, the amazing Harvey Klinger, sends me challenges for each section of the novel, to make it stronger, deeper, more compelling. He is helping me find the heart of this story, and he is an amazing mentor. I wake up in the middle of the night so excited to wake up and write that I can't go back to sleep. I get up each morning so thrilled with my life that it's ridiculous.

And then I get my girls up, make their breakfast and school lunches, drive them to school, volunteer in their classes, all before getting to tackle those pages that have been calling to me since the moment I woke up. And that is perfect. Because being a writer is my passion, no doubt. But being a mother is just as important. And my joy at being this close to seeing my lifelong dream come true is twice as meaningful because of my daughters. I want them to see this happen for me. I want them to remember back when I got my first story published and we celebrated with sparking cider and cookies. I want them to remember the early versions of my short stories that I read aloud as I worked out the kinks. I want them to remember a mom who had a ridiculously huge dream, the kind that is so big that it shouldn't be possible, and I want them to remember the moment when it came true. I want them to dream their own big, huge, ridiculously impossible dreams, and to know in their bones that with passion, persistence, discipline, and focus they can have it, whatever it is. I want them to be unaffected by naysayers, because they know better. I want this dream for myself, as I have always wanted it. But I want it even more for my daughters.